Death of Derek and Vocals thru the post

this is not the file I am looking for...I know its around the studio
somewhere...but the Last Rose of Summer is a great song.... Jaff!

Message from Jaff, from ccMixter - Here are some thoughts as I listen to the files as they come through. This is a collaboration with some singer I've never met, whose brother posted samples of her voice which I used in a track.

Planning to do some mixing of "Last Rose" - hoping it's their own composition! I imagine a crazed improv noise madness session playing behind it...

I love soprano voices...

Sorry to see Derek Bailey go. He was in Barcelona, where I once thought I'd return to start loads of impro stuff. We have to be a new generation with this stuff. Mr Bailey had already improvised with and anything and anyone that took his fancy, we have to take this stuff now and use it in our work, taking it to a whole new level. We can mix his and his contemporaries' theories on chance meetings and unpreparedness, his approach to effects in an acoustic context, his somehow useless yet fascinatingly mathematical musical abstract surface. We can develop on ways of creating chance meetings and chance creative methods - stepping outside the realms of musical performance and of the technology and organisational theory available at this time, and use what who knows will come in future.

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Poem for peace, from a pirate recording in a Cairo Museum.

My love With peace I have placed loving flowers at your feet With peace With peace I stopped the seas of blood for you Forget anger Forget pain Forget your weapons Forget your weapons and come Come and live with me my love Under a blanket of peace I want you to sing, beloved light of my eyes And your song will be for peace let the world hear, my beloved and say: Forget anger Forget pain Forget your weapons Forget your weapons and come And live in peace These I believe are the words of a widow at the tomb of her beloved. I got the words from this italian website . It was used in a seminal Italian anti-war song " Luglio Agosto Settembre Nero " by the band Area (although I guess they weren't called anti-war songs then) - whose vocalist Demetrio Stratos indirectly gives the name to this blog, and whose music is the inspiration for a lot of my mine. It's adapted in turn from a greek folk song, but no-one knows who wrote the original words, except that Stratos was probably...

Using social currencies to fund the energy transition

This post is a translation of a proposal by Susana Martín Belmonte of which the original will soon be posted! On July 13 2016, the city of Barcelona published a government measure to create an energy operator in the city . This operator aims to accelerating the energy transition to renewable energy sources, facilitating the citizen's energy self-consumption, and providing the citizens with access to electricity generation business income, as well as addressing economic justice goals, such as ending energy poverty. One of this project's key points is financing new renewable energy generators, and this is where the social currency that the city of Barcelona is planning can play a very interesting role. I drafted the proposal that comes next and I shared with the economy and ecology groups, as well as the social currency group at Barcelona en Comú. In addition, this can also be framed in the working group on energy and climate change mentioned in the doc...

Reviving Indigenous Wisdom: Exploring the Intersection of Paganism, Shamanism, and Decolonisation

For me, paganism in the British Isles has primarily revolved around music, ceremonies at stone circles, solstice singing, and practices like Samhain. It also encompasses eco-awareness and active defense of the Earth. I've also wondered how these practices differ from Norse, Germanic, or other cultural traditions. Recently, as I got into Andean spirituality or cosmovision especially since the time of the chilean uprising in 2018 and when I witnessed indigenous delegates attending COP26 in Glasgow, I discovered connections between Mapuche ceremonies from the southernmost ends of the Americas and those performed by Scottish groups with ties to indigenous or at least traditional spirituality. Through these ceremonies, people expressed a sense of rekindling a lost link. I believe this spirit stems from a desire to heal a wound or reclaim something that was taken away. In Chile and other parts of the world, we refer to this process as decolonising. Perhaps it arises from the belief that ...

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